Kirkus calls Matthew Cordell’s TO SEE AN OWL “magic” in starred review

Patience and persistence pay off in Caldecott Medalist Cordell’s ode to owling.

Janie’s long dreamed of seeing an owl. “Perfectly stout. Large, round eyes. Silent, knowing faces. Birds of the night.” Janie’s new teacher, Mr. Koji, is a birder, and Janie’s inspired by his words: “To see an owl is magic.” Accompanied by Mama, Janie searches the woods, an open prairie, the beach, a harbor, and even a cemetery. Yet even after months, not a single owl has presented itself. Undeterred, Janie gets a tip from Mr. Koji. When Janie finally goes to the location he suggested, Cordell presents readers with a truly resplendent moment. Incredible pen-and-ink illustrations treated with watercolors convey not simply Janie’s passion (readers get glimpses of the young birder’s drawings, notes, and map) but also subtler details, like Mama’s uncertainty or one moment in which the two miss a hidden owl entirely. The understanding that there are no guarantees with nature lends a special poignancy to the pages. While the book has distinct ties to titles such as Jane Yolen’s Owl Moon (1987), illustrated by John Schoenherr, and Susan Edwards Richmond’s Night Owl Night (2023), illustrated by Maribel LeChuga, it also contains additional lessons on staying the course, which resonate loud and clear. Janie and Mama are brown-skinned; Mr. Koji presents East Asian.

A title easily summed up in a single word: magic.