A starred Kirkus review for Kalela Williams’ TANGLEROOT

In this mystery set in the rural South, a teen from Wellesley, Massachusetts, faces racist legacies and the enduring implications of enslavement.

Sophronia “Noni” Reid is devastated when her mother makes her give up a dream internship in costume design to move to Magnolia, Virginia. Her mom, an esteemed researcher in the field of Black literature, is the new president at an elite liberal arts college in her small hometown, and frustrated Noni, who feels like she’s living in her mom’s shadow, struggles to adjust. Their new home, Tangleroot, was built by Noni’s great-great-great-grandfather, who was enslaved there. While she’s exploring the former plantation’s cemetery, Noni discovers a grave belonging to a Sophronia Dearborn, who died in 1859 at the age of 18 and was buried with her baby boy, who died the same day. Hoping to learn more, Noni accepts a commission from one of the area’s most influential—and racist—white families to sew a dress based on one her seamstress great-great-grandmother designed for one of their forebears. Along the way, the history of the dress and the search to learn more about the other Sophronia lead to the unearthing of long-buried secrets. Each well-chosen detail Williams includes of Noni’s daily life, quest for autonomy, and search for answers is essential to this coming-of-age story. Racism, past and present, adds palpable tension as Noni brings her family’s true history to light and reckons with her own sense of identity.

A gripping and heartbreaking debut.